At the beginning of this year, during the wet and rainy Scottish Winter, I applied for a grant to delve deeper into the broad topic of creativity…Read More
A recent photoshoot with MaryRead More
London Fashion Week Feb 2018
A visual representation of my perspective of London Fashion Week Street Style. I wanted to capture the stylish people that not everyone else was...
A little example of some of my latest work...
Behind the scenes at the Cross Cashmere Showroom photobooth
In February I travelled to London for the first two days of London Fashion Week A/W and wanted to capture street style a bit differently
When I started this project I wanted to include a wide range of people and their businesses, passion projects and side hustles. Everyone has a process and I want to share those in-betweens; more than just the idea at the beginning and the end result. I hope you enjoy reading and finding out a little more about Blondilox, my third interviewee. She makes some pretty excellent tasting porridge blends!
Tell us a bit more about you and Blondilox Blondilox is an online website where you can create your own bespoke porridge blend with oats and yummy superfoods. I would describe myself as hustling gypsy with a background in social media and journalism within the music industry.
How did Blondilox start? Blondilox began after I had a total burn out - I was severely stressed and developed an eating disorder. Through that I developed a passion for healthy food; porridge was a huge part of my personal recovery as it's such a creative dish. I always knew I wanted to start my own business and that's how Blondilox was born.
Describe yourself in 5 words Passionate, curious, hustler, cheeky & free-spirited.
Can you explain your process when working? Ha! If only I could explain that to myself. Organised chaos.
What is your dream project? A super creative and collaborative social good campaign with a huge brand like NIKE, or a new start-up that intertwines and aligns with what I'm doing. It has to involve travel also. Not only do I love travel but it's my biggest inspiration and motivation for creating and doing anything.
What is important to you when you are creating/working? Feeling inspired. Work has to excite me. Collaborations, travel and feedback keeps me moving forward and creating.
What do you need most in life? Music and lipbalm.
My new favourite series is back! A couple of weeks ago I started a new series called 'Documenting the Process' where I visit some of my favourite creators, makers and curators and spend some time photographing them behind the scenes. I am fascinated with how people work, and what I've come to find is that there are some people who are really good at sharing the beginning and the end of their work/processes/ideas but nothing in the middle. The journey is my favourite part, and that's what I want to share with you.
My second interview is with Carrie who is an interior designer based in Edinburgh...
Describe yourself in five words... Able, independent, gutsy, attentive and creative
Tell us a bit more about you and your background... I'm originally from St. Louis, Missouri. I studied fine art at Columbia College in Chicago and graduated in 1997. I have majored in photography & painting. I moved to Edinburgh in 2003, having spent six years travelling - which sounds a bit grand, but the majority of that was spent teaching English in Taiwan. I set up as a freelancer when I arrived in Edinburgh and mostly worked on photoshoots, but in 2005 I landed a volunteer position at Stills and from that emerged a six year long career working for the organisation in various managerial roles. Towards the end of my time at Stills I took an interest in sewing, galvanised in a small community of like-minded people and launched a series of pop-up weekend or hacker-spaces called The Stitch Lounge. Although these proved popular and a huge amount of fun, my idea to open a permanent sewing cafe slowly faded. In 2011, I left Stills, having decided to dip my toes in the corporate sector, and emerged with a senior role in a digital marketing agency. My four years with the agency was indeed eye opening and financially rewarding, but by the beginning of 2015 I knew another career change beckoned.
How did you get into interior design? It's absolutely linked to buying my first home. In 2008, I bought a one bedroom flat in Leith and the day after getting the keys I found myself on route back from B&Q laden with a crow bar and a ladder. The feeling that I owned this property, that I could do anything to it, I could make it exactly as i wanted it, was pure joy. It took me a fair few years to get it right, but this creative process was instrumental in strengthening my interior design skills, as well as honing a hands on understanding of trades. Tiling is not as easy as it looks, trust me! In 2014, I moved in with my partner and began listing my flat on Airbnb. In 2015, I enrolled in a one year full time Interior Design course. Both my hosting experience and my course training gave me the next level confidence I needed to quit the day job and launch Carrie Susan Interiors in early 2016.
Can you explain your process when working... Plenty of consultation with the client for starters. It's a very collaborative process throughout and really important that there's chemistry. The home is such an emotional space and the process can be very personal. In many cases, it's a first home or a much needed extension for a growing family. We usually explore a huge range of ideas and possibilities at the start. Managing expectations and ensuring transparency are key. The next bit is when decisions start to take shape, a vision emerges and a large list of tasks arise. Staying very organised is so important. Once work begins; tradesmen onsite, products arriving, room styling, you really feel the energy and excitement. I look at a room or space the way I've always looked through the lens of a camera to compose a photograph. For me it's all about composition; everything has a place, every corner is considered and every detail exudes character.
What is your dream project? We'd love to build our own home; to purchase a few acres in the Scottish Borders or up and around the Highlands. That's the dream project. But, first things first, a camper van conversion so we have something to live in on the empty plot of land while we build.
What is important to you when you are creating/working? It's important to me to be tactile. It can be challenging with interiors, as most designers render everything on a computer, but I prefer pencils, pens, markers, paper and rulers. I love model making and I learned technical drawing by hand, so it's important for me to retain this ability to sketch and create my interior designs on paper and on boards. It feels so much more authentic, and I think clients engage with hand drawings on a much more emotional level.
What do you need most in life? Nature.
Read my first interview for Documenting the Process with Illustrator David Mahoney
To see more of my documentary and behind the scenes photography click here
Good evening guys, I hope you are all well? Last week I had a photoshoot with Shetland Tannery, working on new products for their upcoming look-book! The photoshoot took place at the Biscuit Factory in Edinburgh and it was absolutely perfect. We were in the top floor surrounded by windows and skylights and brickwork that was to die for. I really hope I get to do another 'shoot here soon. I've posted a couple of behind the scenes photos of Steph arranging some set-ups and I also posted instagram stories throughout the day. I'm going to do this for more of my photoshoots as I love showing sneak peeks!
- Ellie x
One of the things I've come to realise over the past couple of years, is how much I love photographing behind the scenes. Watching the process of creation unfold in front of me. I find it bloody fascinating. I love the in-betweens, telling the story and documenting the journey between A and Z. I started talking about it with friends of mine in creative endeavours, finding out their processes, their in-betweens and finding myself being drawn in - partly through nosiness, partly through reassurance.
I decided to start a series showcasing these creatives, makers, artists. Sharing a little bit more about them and their processes.
David Mahoney is a British Illustrator who has worked with some incredible powerhouses such as Nike, GQ, Kiehl's, OPI, Universal Music and 20th Century Fox to name a few. He specialises in merging traditional mediums and digital applications in creating bespoke pieces for his clients.
Where are you from originally? England, well Peterborough
How did you get into illustration? I started learning photoshop and illustrating in black and white in my final year of school. At the time I was taking Maths, Art, Geography and Product Design. Failing my maths exam my maths tutor told me that it would be flogging a dead horse to continue doing maths, and that it was clear I didn’t enjoy it. Her advice, do something your good at David and play to your strengths. Headless Horse was born.
Can you explain your process when working on pieces? I start out by taking reference images, creating a photographic composite, posing the person I will be drawing, and from this reference go ahead and draw them. I use a mixture of traditional and digital tools in my process, such as squid ink, watercolour and charcoal, all of which is scanned into the computer and composited together. It’s become an art now in how I use these tools all together. A new area I’m learning is animation so expect more of this soon.
What is important to you when you are creating? Quiet, clean office and plenty of food and my Spotify discovery playlist!
Describe yourself in five words... Snapping necks & cashing cheques (this fits)
What do you need most in life? Family and enough challenges to keep me learning.
To see more of my documentary and behind the scenes photography click here